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the making of Enter the Savior - a memoir
The First Week of Challenge
Part
2/6
The first day in
a big, big city

One of the many interesting things I saw in NY.
This man walk around for hours holding a Bible in the
air with this message on the back of it. It reads:
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The next morning, I
woke up at 7:00am and rushed out the door. I headed to the
subway and even though I had visited the school yesterday, I was
unclear how to get to the film school. I took some train that I
thought was going in the direction I wanted to go but it ended
up going the wrong direction. I jumped off and got onto another
train that went the right direction but didn’t go to my school.
By that point in time, I was so
hopelessly lost, I just got off the subway and walked the rest
of the way while asking random people for directions. I arrived
at the school 40 minutes late and made a big embarrassing grand
entrance in front of 200 some people who were staring at me
while I strode on in. They were listening to the director of
the school (an apparent big time producer of Hollywood films and
Broadway shows). I also had to introduce myself last because
that was what everyone who came on time did already.
Enter the Crew Members
So I get my materials and walk into my first class, “The
Director’s Craft” with an Austrian woman who reminded me of
Governor Swarzenegger. I listened intently to what she had to
say, as she presented to us video clips and hands on exercises
with a Dvcam (digital video). I found the class to be extremely
interesting and I also met the people who I would be working
with for the rest of the month. The person sitting directly
behind me had just gotten out of the British armed forces and
decided to pursue film. His name was Mark Hayden, and he would
eventually become one of my closest friends while at the
academy.
So I remember him.
Mark. The first day we met. It was after the first directing
class. We were sitting in the lounge and getting acquainted
with each other. Mark sat next to me, and we started chatting.
Certainly seems like a nice guy. Perhaps I should ask him
to be in my group?

Mark Hayden

Mike Chen |
Anyways, within the
first week, I got to meet and know a few people including Mike,
Mary and a few others. I remember having lunch with Mike, Mark
and Mary as well as some other folks, one other guy from
Switzerland.
By the middle of the
week, it came time to form groups for the rest of the workshop.
I had hardly gotten to know anyone well enough! How could I
know who was dependable and willing to work hard and not screw
me over? I could only hope that all my group members had the
same mindset as I and we would be a good team. At that time, I
had been more comfortable with Mike, Mark and Mary than anyone
else and we formed a group. Everyone else formed theirs and so
it was set.
For the rest of the
week, we were immersed in the technical aspects of production,
learning how to work the camera’s aperture, focus, load the
film, shoot etc. The first weekend’s task was to go out and
shoot a short 1-shot scene, mostly as a technical exercise to
get acquainted with the equipment. My crew and I checked out
the equipment on Friday morning and worked all weekend long,
traveling all around New York City by metro and taxi to make our
first films.
The second week - Here it comes...
| "I
began to panic as the hour passed vainly. Still
nothing. Desperate, I got on my knees." |
It was the beginning
of the second week of the month. I began to feel the pressure.
I needed an idea for my final film project. Because we only
have 3 production weeks (the last week of the month was reserved
for editing the final film), the second week is when I needed
the final idea.
As I mentioned before, I wanted to make sure that I went home
with an awesome film product that I could show the world and
say, “hey this is what I can do. This is why I should be a
filmmaker.” I wanted to justify my father’s $5,000 investment.
I did not want to make a “film” featuring 10 different shots of
a not-particularly-attractive girl running across the camera followed
by a suicide (film student inside joke).

My
bedroom by the second week (messy!) |
I wanted something
great and wonderful. And I only had 2 days to shoot it in the
last two weeks left (1 day a weekend). It was a lofty, almost
unrealistic goal. But, as always, ambition and drive got the
best of me.
So it was around
Monday or Tuesday on the second week that I began to feel the
pressure. “What to film, what to film” I asked myself. What
was going to be my main idea? The busyness of the two days made
me push it off to the side until Wednesday night.
Now this was THE
NIGHT when I had to absolutely come up with my idea. Why? The
reason being, that I needed to scout (find) a location tomorrow
(Thursday), so I could begin shooting Friday (which is when we
get our equipment). If I didn’t know where to film my movie,
then, I would be in trouble. Simple as that. Now this was
WEDNESDAY night. Not Wednesday during the day. The night
time. It was about 8 or 9pm. I sat there on my bed trying to
come up with something…I could not come up with anything. This
always happens.
I began to panic as
the hour passed vainly. Still nothing. Desperate, I got on my
knees.
With all my heart, I
prayed, “Father God, my Lord, you are the greatest artist in the
universe. Please Lord, as the master of all creativity, inspire
me, oh Lord, just as you have done in the past, inspire me
divinely, so that I may make a film for your glory, and not
mine. Lord, please, inspire me.”
Then,
something amazing happened.


The original script, scanned in. Notice the wear
and tear of it, as I had hauled all my sweat-rain soaked
notes around the dirty alleyway for the entire shoot. |
A sudden influx of
images, ideas, thoughts, visions flooded my mind!
KUNG-FU,
CHRIST, JESUS, DRUG ADDICTION, FREEDOM, ALLEYWAYS, FRIENDSHIP.
WHAT WHAT
WHAT?!
A conglomerate of seemingly random thoughts seemed to fit
together somehow! I wasn’t even sure how or what was going on,
but at that moment, I knew the Lord had heard me.
I picked up my pen
and pad. I began to write the script. Unbelievably, I wasn’t
even sure what this whole story was about. I could not “see” or
play out the thing from beginning to end. I just had this
complex medley of ideas that I had to sort out on paper. The
remarkable thing was, I did no more brainstorming that night, I
already had all that I needed in terms of my plot. I began to
write. I wrote non-stop, from beginning to end. In less than
an hour, I had finished my script. I caught my breath and
reviewed it. Good story, I thought to myself, good story. It
wasn’t an awesome story, but lets be realistic, my first short
film, in a shooting time of 2 days, I couldn’t expect to make a
feature film.
It was about 10pm.
I began to storyboard. And OH DID I STORYBOARD. I never
stopped until it was almost 3am and I had to sleep because I was
so exhausted. I went to school late the next morning but really
exhilarated. I continued my storyboarding any extra free time
that I had.
  
  
Just a few
pages from a thick pad of storyboard drawings. I crossed
out each picture frame as they were shot.
My original script is as follows:
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Enter the Savior
by Young-H. Lee
Chapter 1
EXT. ALLEY END – EVENING
PETER struggles desperately with himself as he is about
to inject himself with drugs.
Suddenly something
catches Peter’s eyes. He looks up, forgetting the
syringe momentarily.
CUT TO other side of
alley. A figure enveloped with light reaches out to
Peter. Peter stares in wonder and curiosity.
Figure has a warm smile
on his face. Figure waves his hand downward. Peter, as
if his hand was suddenly not his, looks in amazement as
his hand stops trembling and the desire for drugs is
gone. He drops syringe in front of him.
Chapter 2
Figure smiles, continues to offer his hand. Peter
struggles to get up, but he is too weak. Peter tries as
hard as he can, and gets up halfway, but falls. He
looks at figure. Figure is still smiling warmly, still
offering his hand. Peter tries harder and gets up all
the way, takes one step forward, trips on something, but
suddenly figure catches him. Peter looks in amazement,
and begins smiling.
Together they begin
walking toward the light.
Chapter 3
Suddenly, a dark shadow envelops Peter and Figure.
EVIL appears. Peter
recognizes Evil, and pushes Figure to the side, as if
saying I can handle this. Figure looks on with concern,
objects, but Peter insists that he handle this himself.
Evil smiles menacingly, and holds out the drug needle
and offer it to Peter. Peter pushes Evil’s hand away in
disgust. Evil offers it again, this time forcefully,
Peter pushes hand away again. Evil’s face’s evil grin
disappears and turns into horrific frown. Peter becomes
afraid. Evil strikes Peter.
Peter falls violently to
the ground. In hatred, Peter stands up (weakly) and
throws a few futile punches at Evil, Evil grabs Peter’s
throat and lifts Peter off the ground. Peter is about
to die. Figure suddenly intervenes.
Chapter 4
Figure raises hand and Evil flies back, releasing
Peter. Peter on ground gasps for air. Evil approaches
Peter to finish him off. Figure stoops down next to
Peter. Looks at Peter sternly, motion to him to
continue fighting Evil. Peter looks at Evil and is
terrified, shakes head at figure, saying “no!” Evil at
that moment raises both arms to strike Peter. But
Figure suddenly raises both arms outward (crucifix) and
blows Evil back. Peter stands up.
Chapter 5
Figure’s head is bowed but looks at Peter. Figure’s
arms slowly close in on Peter’s head (as if to crown him
with an invisible crown) and suddenly Peter is endowed
with Kung Fu skills. Eyes open and smiles confidently.
Evil is approaching again, a little more hesitant than
before. Peter runs toward Evil and attacks Evil. Evil
tries to withstand Peter’s newfound power. But is
beaten. Peter makes one final finishing blow and
destroys Evil. Evil is gone.
Chapter 6
Peter is panting, tired from the battle, crouching on
ground. Figure warmly helps Peter to his feet. They
grab each other’s hands and walk out of the dark alley
and into the light. The syringe is seen left behind.
Chp. 6 – END |
Armed with a script,
the next step is to find the location that I will shoot the film
in.
The Location
This
is my original storyboard, and this is what I wanted: a
narrow alleyway.

Cortlandt Alley: the first alley-way I saw during
my scouting.

It was a
street-wide alleyway that I did not want to use.
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I needed an
alleyway. That was for sure. So I planned to go scout for a
nice alleyway after classes on Thursday. And because I got out
of school at around 6pm, I only had about 2 hours before the sun
set in. So immediately after I got out of class, I took the
subway to Chinatown. I had learned from Mike that there were a
lot of alleyways in little Italy and in Chinatown.
So I got off at
around Canal Street and began to walk around. Within minutes, I
saw a wide alleyway called “Cortlandt alley.” It was too
wide for my film so I dismissed it immediately. I walked around
some more, time passed, and I began to feel a bit nervous.
After an hour, I had passed through many streets without any
luck. I saw several narrow alleyways that had the dimensions
that I wanted, but either were closed off by a gate or were too
clean. On a side note, I wanted an alleyway that was very
narrow, perhaps 10 feet wide at most. The reason being was that
I wanted to have shots where the Christ-figure would stand at
the entrance of the alleyway with the sides of the buildings
framing a narrow column of light that would envelop his figure.
This would symbolize his “descent” from heaven.
After another thirty
minutes, I became desperate. I began to grumble to God, “Hey,
you gave me this awesome idea last night, and I need an alleyway
to film it in. Now there isn’t much sun left, so why haven’t
you shown me the alley yet?” I even went up to a homeless man
and asked him what alleyways were around this area. He told me
the only one he knew of was Cortlandt alley, the one that
I had already dismissed. Finally, the sun went down, it got
dark, and I got frantic. I took the subway back to my apartment
disappointed, confused and a little angry. I kept questioning
God and why He was doing this to me. The only choice was just
to use Cortlandt alley, although it was less than ideal.
My Actor
I had begun my search for my main actor the next morning after
my divine inspiration. The film school had several books
of headshots of actors willing to work without pay in student
films. I needed an actor able to effectively play the role of
the drug pusher. As I flipped through the pages, I kept my eye
open for several things including body build, martial arts
training and height. Several hundred faces later, I had a list
of about five people who I then tried to contact.
Only three of them
responded to my inquiries, but due to timing, two were not able
to make it. That left me with only one person, Julian Song. I
was a little worried because I did not know what he really
looked like, whether he was tall or short, whether he was buff
or thin, but because I had to shoot this weekend, I had no other
choice.
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